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Along the way, he offers his insights on such subjects as continuity and discontinuity in editing, dreaming, and real life; the criteria of a good cut; and the blink of an eye as both an analog to and an emotional cue for the cut. The first half of the book is sensational, and explores a lot of theory behind editing, which is great for any filmmakers. Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. p. 62-63 So we entertain an idea, or a linked sequence of ideas, and we blink to separate and punctuate that idea from what follows.

Past a certain point, the more effort you put into wealth of detail, the more you encourage the audience to become spectators rather than participants. While this is more geared towards the editing concerns for larger productions with multi-month editing cycle, Murch has many insights into the basic practicalities of editing. Kurguyla ilk kez temas edecek kişileri belli yanlış ezberleri henüz oluşmadan çok doğru şekilde yönlendirebilir. The second half is about digital editing, and the first 10 pages or so of that are a little specific about technologies, and things I already knew about (e. I bought this book expecting exactly that, but even when none of it came, it was a great experience, and I learned a LOT.While one can never doubt his credentials to teach (he edited Copolla's Apocalypse Now, in which production probably produced the most footages in film history for an editor to work on. Aparte de su conocimiento del montaje y de un sentido artístico audiovisual que podíamos dar por hecho, Murch tiene una sensibilidad literaria y una prosa envidiables. While this book covers video editing from a high-level, theoretical perspective, a lot of the advice and thinking informs "lower" forms of video production. Murch views, I guess I'll revisit this book again when I'm starting to apply his view in my work in a couple months.

The rest is just Murch going on and on with 'clever' analogies to explain what editing is to an audience that maybe never before thought about the fact that movies are edited at all.Once you finish the book you'll start noticing the decision making in the offline editing, in abundance many great films. I’ve been editing since I was 12 so it has certainly affirmed and validated for me a lot of the things I knew about editing on certain levels, but never have had explicitly stated.

The work managed to give me a new appreciation for what we do, and that is a gift from Murch to all of us.The first half of this book is an indispensable treatise on WHY cuts in film/video work and WHAT separates good cuts from bad cuts. His handling of the topic is simultaneously familiar and original, and always it is full of insight. En el contenido original del libro, escrito a comienzos de los 90, el lector descubre el oficio del montaje, su historia y su razón de ser ¿por qué el corte de un plano a otro funciona para el espectador, en vez de simplemente provocar confusión? Bók Walter Murch um klipp á kvikmyndum dregur upp ýmsar vangaveltur um vinnuaðferðir klipparans í gegnum tíðina þar sem Murch notast aðalleg við frásagnir úr eigin starfsæfi.

Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality. At the very least there is some great info on editing techniques and understanding when to cut a shot and how to understand confident and nervous acting. S.’s finest decades of cinema, the 1970s, Walter Murch is part psychologist philosopher and part editor in this short treatise on film editing. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. That's only when he's not nagging on about the fact that he likes to put his KEM on an elevated surface, because he prefers to edit while standing up.Going in to detail about when and why we blink he takes this and talks about when to cut and how blinking so important. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate.

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